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Opus de Funk Sydney while tracks like Malcolm (an

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Opus de Funk Sydney while tracks like Malcolm (anA longtime fixture of the Chicago bop scene and criminally under appreciated outside of it pianist John Young collaborated with jazz giants ranging from Sarah Vaughan and Ella Fitzgerald to Dexter Gordon during a career spanning more than six decades. In 1957, Young signed to Argo to issue his debut LP Opus de Funk. While Young's lyrical playing originally borrowed from swing icon Earl Hines, he quickly developed his own distinctive approach that

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while tracks like Malcolm (an ode to the late AC/DC guitarist) are centred more closely around wild vocal melodies

but it could be all of us

Infernal Overkill

this is The Wild

Grizzly Bear

Opus de Funk Sydney while tracks like Malcolm (anA longtime fixture of the Chicago bop scene and criminally under appreciated outside of it pianist John Young collaborated with jazz giants ranging from Sarah Vaughan and Ella Fitzgerald to Dexter Gordon during a career spanning more than six decades. In 1957, Young signed to Argo to issue his debut LP Opus de Funk. While Young's lyrical playing originally borrowed from swing icon Earl Hines, he quickly developed his own distinctive approach that

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