Blues for the Birds South American I love ink on paper

I love ink on paper

Yarrington's print is straightforward in both subject and presentation

They speak about absence and presence

It belies the idea of a two-dimensional view of traditional Asian American assimilation andchallenges the notion of art by an artist of color

with the power to present more than one interpretation

Blues for the Birds South American I love ink on paperFrom the Artist Most of my works are supported by memories and suggested realities. Issues of social politics are presented with fragmented elements of "real life"collaged and collapsed, as dreams are prone to do. If connections are made, all the better. Life should remind us of our dreams. From Brandywine Workshop and Archives records